But it is by no means this books only kind of splendor.'-Janet Maslin, The New York Times 'Even the most incidental details vibrate with life Arcadia wends a harrowing path back to a fragile, lovely place you can believe in. Lauren Groff reads at Greenlight Bookstore Wed 28. Groffs prose is one of the best things about Arcadia. It’s a world that, in some ways, is easier to imagine than the utopian dream of half a century ago. In the fields of western New York State in the 1970s, a few dozen idealists set out to live off the land, founding a commune centered on the grounds of a decaying mansion called Arcadia House. As the author’s lovely language both surprises and lulls, the story moves to a believable future severely affected by global warming and epidemics. With Bit as something of a nonparticipant, the book’s best character is Hannah when illustrating Hannah’s decline, Groff is at her best. The dilemma at the core of Arcadia is the choice between freedom and community and, beyond that, the different ways to create a utopia. At the same time his mother, Hannah, is being slowly betrayed by her aging body. As Bit assimilates to life on the outside, he comes into his own as a photographer, observing and documenting the world around him but not acting on it. The reader sees this through the eyes of the diminutive outsider Bit, who spends his kidhood in Arcadia and subsequently flees the commune with his disillusioned parents. Strong ideals need strong people to uphold them, and Arcadia crumbles when faced with forces much bigger and more powerful than the splintering collective.
The novel opens on a hippie commune-a sunny and idyllic place of bare breasts, fertile gardens and hard work well rewarded-and tracks its deterioration into a sinister place of drugs, hunger, filth and rotting power structures. Things fall apart in Arcadia, the 1960s utopia of Lauren Groff’s third book.
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